we are sorry_we are sorry_we are sick.jp

wearesorry/wearesorry/wearesick, 2013

Freepost Series, 2013

Performative Writing


‘Walking into Beirut: An Annotation,’ with Ella Parry-Davies and Merijn Royaards, in Liminalities, Vol. 12, Iss. 5 (2016)


‘‘In some they become the cloud’: Annotating Room 14 of Mira Schendel,’ Performance Research, Vol. 20, Iss. 2, Special Issue: On Anthropomorphism, Routledge/Taylor and Francis (2015)


‘Συνίστασθαιand Performing Skies: Towards an Alternative Aristotelian Poetics,’ Performance Research, Vol. 20, Iss. 1, Special Issue: On Poetics and Performance, Routledge/Taylor and Francis (2015)


‘Merz Merz Merz Merz: Performing the Remains of Mr. Kurt Schwitters,’ Platform: Postgraduate Journal of Theatre Arts, Vol. 8, Iss. 1, Special Issue: Performance Legacies, Royal Holloway University (2014)



‘The Meta-Poetics of Creative Labour in the University,’ The Palgrave Handbook for Creativity at Work, Palgrave MacMillan (2018)

[Book Review] Jon Anderson and Kimberley Peters (eds.), Human Geographies of the Ocean, published in Excursions, Vol. 5, Iss. 1, Special Issue: Boundaries, Sussex University (2014)


[Event Review], ‘Coming Out: 50 years of gay literature,’ The London School of Economics Literary Festival 2017, in The Times Literary Supplement (April 2017)

[Book Review], Rick Rylance, Literature and the Public Good (Oxford University Press, 2016) in The Times Literary Supplement (February 2017)


[Art Review], Opera North, Götterdämmerung/Twilight of the Gods, Felt Acts (2014)


The Guardian Higher Education Network (2014)

‘10 ways to make public engagement work for you,’ co-written with Ella Parry-Davies


‘Coming Out: 50 years of gay literature,’ TLS (April 2017)

[Book Review] Rick Rylance, Literature and the Public Good, TLS (February 2017)

Opera North, Götterdämmerung/Twilight of the Gods, Felt Acts (2014)

"0", Walking into Beirut: An annotation

A creative-critical article published in Liminalities, co-authored with Ella Parry-Davies and Merijn Royaards (2016)