Penny Newell

Performative Writing

 

‘Walking into Beirut: An Annotation,’ with Ella Parry-Davies and Merijn Royaards, in Liminalities, Vol. 12, Iss. 5 (2016)

 

‘‘In some they become the cloud’: Annotating Room 14 of Mira Schendel,’ Performance Research, Vol. 20, Iss. 2, Special Issue: On Anthropomorphism, Routledge/Taylor and Francis (2015)

 

‘Συνίστασθαιand Performing Skies: Towards an Alternative Aristotelian Poetics,’ Performance Research, Vol. 20, Iss. 1, Special Issue: On Poetics and Performance, Routledge/Taylor and Francis (2015)

 

‘Merz Merz Merz Merz: Performing the Remains of Mr. Kurt Schwitters,’ Platform: Postgraduate Journal of Theatre Arts, Vol. 8, Iss. 1, Special Issue: Performance Legacies, Royal Holloway University (2014)

 

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Academic 

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‘The Meta-Poetics of Creative Labour in the University,’ The Palgrave Handbook for Creativity at Work, Palgrave MacMillan (2018)

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[Book Review] Jon Anderson and Kimberley Peters (eds.), Human Geographies of the Ocean, published in Excursions, Vol. 5, Iss. 1, Special Issue: Boundaries, Sussex University (2014)

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Articles/Reviews

[Event Review], ‘Coming Out: 50 years of gay literature,’ The London School of Economics Literary Festival 2017, in The Times Literary Supplement (April 2017)

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[Book Review], Rick Rylance, Literature and the Public Good (Oxford University Press, 2016) in The Times Literary Supplement (February 2017)

 

[Art Review], Opera North, Götterdämmerung/Twilight of the Gods, Felt Acts (2014)

 

The Guardian Higher Education Network (2014)

‘10 ways to make public engagement work for you,’ co-written with Ella Parry-Davies

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Reviews

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‘Coming Out: 50 years of gay literature,’ TLS (April 2017)

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[Book Review] Rick Rylance, Literature and the Public Good, TLS (February 2017)

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Opera North, Götterdämmerung/Twilight of the Gods, Felt Acts (2014)

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